These are publications by affiliates and friends of the atelier-lab. They give a sense of the orientations shaping the Topological Media Lab’s family of work.
2014
2013
2012
Sha Xin Wei, “Topology and Morphogenesis“, in special issue on Topologies of Multiplicity, ed. Celia Lury, Theory, Culture, and Society, forthcoming 2012.
2011
Broglio, Ron, “Thinking about stuff: Posthumanist phenomenology and cognition,” in Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011, p. 187-192.
Conrad, Erik, ” Soft architectures in everyday life,” in Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011, p. 123-128.
Crawford, T. Hugh, “Minor houses / minor architecture,” Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011.
Franinovic, Karmen, “Architectures of play,” Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011, p. 129-136.
Frantova, Elena, Elizaveta Solomonova, Tim Sutton, “Extra-personal awareness through the media-rich environment,” Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011, p. 179-186.
Sha Xin Wei, “Minor architecture,” in Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011, p. 112-122.
Sha Xin Wei, “The Atelier-Lab as a Transversal Machine?“, spécial issue on Les études américaines à l’ère des médias numériques, Revue française d’études américaines, 2011/2, no. 128, p. 62-78 (PDF), color plates I-VIII (PDF).
Solomonova, Elizavet, Elena Frantova, Tore Nielsen, “Felt presence: Uncanny encounters with the numinous Other,” Special Issue on Poetic and Speculative Architecture in Public Space, AI & Society 26.2, 2011.
2010
2009
2008
2007
David Birnbaum, Freida Abtan, Sha Xin Wei, Marcelo M. Wanderley, “Mapping and dimensionality of a cloth-based sound instrument,” Sound & Music Computing, 11-13 July 2007, Lefkada Greece.
2005
Gill, Satinder, Sha Xin Wei, “Gesture and Response in Field-Based Performance,” 5th conference on Creativity & Cognition, ed. Ernest Edmonds, London: ACM, 2005, pp. 205-09.
Sha Xin Wei, “The TGarden Performance Research Project.” Special Issue: Technology, Modern Drama 48.3, Fall, 2005, p. 585-608.
Sha Xin Wei, “Ethico-Aesthetics in T* Performative Spaces,” in On Transient Realities and Their Generators, ed. Kuzmanovic and Tim Boykett. Maribor, Slovenia: Kibla, 2005, p. 22-39.
2004
2003
Iachello, Giovanni, Stephen Dow, Yoichiro Serita, T. St. Julien, Julian Fistre, “Continuous sensing of gesture for control of audio-visual media,” ISWC International Society for Wearable Computing, 2003.
Sha Xin Wei, Yoichiro Serita, Jill Fantauzza, Stephen Dow, Giovanni Iachello, Vinny Fiano, Joey Berzowska, Yvonne Caravia, Delphine Nain, Wolfgang Reitberger, Julian Fistre, “Demonstrations of expressive softwear and ambient media,” Ubicomp 2003.
2002
Sha Xin Wei, Resistance Is Fertile: Gesture and Agency in the Field of Responsive Media,” in Makeover: Writing the Body into the Posthuman Technoscape, Two-Part Special Issue of Configurations, Baltimore: Johns Hopkins University Press, Part 2: Configurations, Vol 10, Number 3, Summer 2002.
Sha Xin Wei, Timothy Lenoir, “Authorship and Surgery: The Shifting Ontology of the Virtual Surgeon,” in Bruce Clarke and Linda Dalrymple Henderson, ed., From Energy to Information: Representation in Science and Technology, Art, and Literature, Stanford University Press, 2002.
2001
2000
1997
Wang, James Ze, Gio Wiederhold, Oscar Firschein, Sha Xin Wei, “Wavelet-Based Image Indexing Techniques with Partial Sketch Retrieval Capability,” Proceedings of the Fourth Forum on Research and Technology Advances in Digital Libraries (ADL’97), 13-24, Washington D.C., May 1997.
1996
1995
1994
