This is an invitation to join:
Film-Philosophy International Email Salon
"When I first saw the cinematograph I realised it could offer
something new to philosophy. The cinema provides us with an
understanding of our own memory. Indeed we could almost say that
cinema is a model of consciousness itself. Going to the cinema turns
out to be a philosophical experience."
-- Henri Bergson
"If Descartes lived today, only through the medium of film would he
be able to convey to us his Discours de la Methode, because every film,
being a dynamic piece of work moving in time, is basically a theorem. It is
the locale of the unfolding of an inexorable logic which traverses its
own pivotal points, more precisely, the given poles of dialectics."
-- Alexandre Astruc
"The kino is a vulgar modern entertainment and I doubt if it can
tell us anything serious about the modern condition."
-- Sigmund Freud
The purpose of the salon is the informal discussion of film
philosophies. The aim of which is the creation of a discipline from a
collision, from a debilitating identity crisis. Why do we need film
philosophies? What can a philosophical viewpoint breath into well-worn
debates in film theory? What bred the recent surge of interest in this
area? What is film philosophy?
Subscription Information
To join, send the message:
join film-philosophy firstname(s) lastname
to:
mailbase@mailbase.ac.uk
The salon anticipates the following areas to be within the range of
its playful chat (areas to be reborn through our philosophies of film
philosophy):
- Film stories, actions and events that illustrate, rehearse or
advance our understanding of traditional philosophical problems.
- The meanings of reflexive cinema.
- Philosophical inquiry into our emotional attraction to certain
types of film drama.
- Film as philosophy.
- The place of Plato's cave in contemporary film philosophy.
- The ontology of the moving image: film movement, illusion,
representation; the 'existence' of fictional characters; film as a
continuous present; persistence of vision and the phi phenomenon.
- The empiricist essentialism of filmology.
- Cognitivist and phenomenological perspectives on the film
experience.
- Time, memory, and space in cinema. Imagination, dreams, mental
imagery, other minds and film.
- Characters as metaphors for truth or knowledge; screen detectives
as epistemologists; the philosophical universalising of motives and
actions.
- Film as a new metaphysics.
- Cultural philosophies of the moving sound image as mass
media.
- Filmic aesthetics.
- The reliability of documentary images - narrative and profilmic
manipulation.
- The status of the moving sound image as thought and mind.
- Philosophers' cameos in films.
- The history of the linking of film and philosophy.
The salon will also welcome news of conferences, meetings, articles
and publications, as well as impromptu reviews of books old and
new. Also, essays and bibliographies would be very welcome for the salon's web
site, so please contact the owner at
film-philosophy-request@mailbase.ac.uk with your contributions and
suggestions after you have joined. Already the web site contains a
general bibliography, as well as dedicated ones for Deleuze's Cinema,
phenomenology and cognitivism; details on how to access these will be
sent once you join.
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Last modified: Tue Nov 19 21:55:03 PST 1996