Category Archives: Events

TML OPEN HOUSE 2014

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OPEN HOUSE 2014

When : September 23rd, 2014, 3-6pm
Where: 1515 St. Catherine West EV 7.725The Topological Media Lab would like to invite you and your departments to come to our Open House on September 23rd from 3 to 6pmwhere our responsive environment will offer a peek at  new experiments and installations happening in the lab. We will also be celebrating the launch of a new academic year and welcoming new students and TML affiliates.  Refreshments will be provided. All are welcome!

 

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TML CAMPFIRE 2014

 CAMPFIRE

When: Bi-weekly, starting September 9th 2014, 5-7pm
Where: 1515 St. Catherine West EV 7.725
Starting September 9th, the TML will be holding campfire meetings bi-weekly Tuesday at 5 o’clock to recapitulate the ongoing projects and to talk about the future ones. If you are interested in being a part of any of this year’s projects, the campfires are a good way to get involve and to meet TML people. Feel free join us any week !

Table of Contents

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TABLE OF CONTENTS

Table of Contents vol 1 : “Space” in Phenomenology of Perception by Merleau-Ponty 

Seminar Coordinator: Omar Al Faleh
Co-directed by Elizaveta Solomonova and MJ Thompson

 

The Table of Content is a cross-disciplinary, inter-departmental, and inter-university seminar that connects graduate and undergraduate students and researchers through a critical and cross-disciplinary reading in philosophy and other areas in humanities. The texts will be discussed from angles that relate to the expertise and interests of those who are taking part in the seminar rather than a classical reading of literary texts, and will be choreographed and enriched by environmental and networked computational media ambiences that allow for embodied experiences of remote participants by using Topological Media Lab’s Table of Content platform as a communication and interaction portal.
Location: Topological Media Lab (1515 Saint Catherine Street West, EV 7.725)
When: every second Wednesday starting on October 1st and ending on December 3rd 2014
Time: 4:00-6:00pm
 

Please contact Omar Al Faleh at admin@topologicalmedialab.net  if you have any questions.

 Schedule 

October 1st: Seminar 4-6  – “Up and Down” and “Depth” Don Landes translation: pp.253-279; Colin Smith translation: pp.283-311

October 15th: Presentation 4-6 – Mark Sussman, Bio: http://www.concordia.ca/finearts/about/dean/associate-dean-academic-student-affairs.html

October 29th: Seminar 4-6- “Movement” Don Landes translation: pp.279-294; Colin Smith translation: pp.311-327

November 12th: Presentation 4-6-TBD

November 26th: Seminar 4-6-“Lived Space” Don Landes translation: pp. 294-311; Colin Smith translation: pp.327-348

December 3rd: Presentation 4-6 – Adam Kinner

 

Ressources

Merleau-Ponty, Maurice. “Space” in Phenomenology of Perception. Translated by Colin Smith. Paris: Routledge, 2013: 283-348.
 
*preferred:
Merleau-Ponty, Maurice. “Space” in Phenomenology of Perception. Translated by Donald Landes. Oxon: Routledge, 2013: 253-311.

 

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Topological Media Lab/Encuentro 2014

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The Topological Media Lab will host 3 workshops during the Encuentro festival the 24th, 25th and 26th of June 2014.

A series of three workshops directed towards exploring the lab’s philosophical and physical engagement with various streams of research, techniques and technologies used in the “enchantment of environments and matter” and the expression of that research in the real world.
The Encuentro is for registered participants only. 

 

JUNE 24 – 9:00 AM – OPEN LAB EV7.725
Navid Navab, Evan Montpellier, Nikolas Chandolias, Jerome Delapierre, Oana Suteu and Michael Montanaro

 

JUNE 25 – 9:00 AM – GESTURE BENDING WORKSHOP
MOVEMENT IN RESPONSIVE MEDIA,MB 7.265
Navid Navab, Jerome Delapierre, Michael Montanaro, Roger Sinha, Thomas Casey

 

JUNE 26 -9:00 AM – GESTURE BENDING WORKSHOP
ENCHANTED MATTER – MB 7.265
Navid Navab, Michael Montanaro

 
 

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About Encuentro: The Hemispheric Institute of Performance and Politics and Concordia University invite scholars, activists, and artists of all disciplines to examine the practical, ethical, aesthetic, theatrical, and performative dimensions of manifests and manifestations throughout the Americas at the ninth Encuentro, to be held in Montréal, Québec, June 21-28, 2014.

http://hemisphericinstitute.org/hemi/en/enc14/enc14

[vimeo]https://vimeo.com/101945141[/vimeo]

[vimeo]https://vimeo.com/101950275[/vimeo]

encuentro

Movements of Thought 4

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Movements of Thought 4

Thursday, May 15th,  12:30 – 14:30 – Usine C

In collaboration with Usine C, the Senselab has launched a serie of activities OPEN TO THE PUBLIC and FREE : Movements of Thought and Knots of Thought.


The next Movements of Thought will focus on Sound Art practices – through deep listening, gesture bending, and the sonic affordances of found / everyday objects. 

The activators for the session will be : 
Doug Van Nort (Topological Media Lab)
Navid Navab (Topological Media Lab)
Juliana Keller (Sonic Electric)

Movements of Thought considers ways of moving and thinking through embodied experience, and of thought itself as a mobile interplay across disciplines. What is a moving thought? How may it open bodies to modes of lived abstraction, becoming more-or-less human, comprising images, material entities, and affective compositions? What techniques may be drawn from diverse practices in physical movement, and how may these be assembled in discussion with scholars and practitioners from other fields? Working alongside Knots of Thought, this assembly of thinking-together invites participants to consider what may be at stake for performing an ecology of practices in the movements of thought.

Come and explore with us Movements of Thought, next Thursday May 15th at half past noon at Usine C (1345 av. Lalonde – metro Beaudry).

More info: https://www.facebook.com/events/1489992901216954/

T.I.:VOL 5.:MOVING SPACES

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When : May 1th, 2014

Where: 1515 St. Catherine West EV 7.725

Starts: 7:30 pm, PWYC

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Moving Spaces (2002) – Christian Wolff (b. 1934) – Christian Wolff wrote Moving Spaces in 2002 for Loose Time, a work by the Merce Cunningham Dance Company. The piece is rooted in improvisation, ruled by indeterminacy, and energized by noise, silence, and electronic manipulation.

Moving Spaces consists of eight sections to be played in no specific order by any combination of instruments. The music is for 2, 3, or 4 performers, dancers, and an eight-channel sound system. With an improvisatory approach to unconventional notation, each musician explores a unique sound world that pushes the limits of their instrument and challenges listeners’ expectations of beauty.

The piece will be performed by seven improvisers from the Montreal scene: Zach Hale (electronics), Emily Lair (french horn), Molly Wreakes (french horn), Duncan Campbell (trumpet), Felix Del Tredici (bass trombone). Joining them will be the dancers Bailey Eng and Samantha Rust.

 

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Molly Wreakes – French Horn

A native of Edmonton, Molly Wreakes began her horn studies with Allene Hackleman. She is currently completing her Bachelor of Music in Horn Performance at the Schulich School of Music of McGill University where she studies under the tutelage of Jean Gaudreault. In 2012, Molly was chosen to represent Alberta at the Canadian Music Festival where she placed second in the Brass division. She has performed with the Edmonton Symphony Orchestra, Opera Nuova, the McGill Symphony Orchestra as well as other various groups. Aside from having a keen interest in orchestral and solo repertoire, Molly seeks to expand her horizons through improvisation and contemporary music.

 

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Duncan Campbell – Trumpet

Duncan Campbell, by time of your reading, will have finished his undergrad in Trumpet Performance at McGill. He is engaged in projects such as Little Suns (please visit www.littlesuns.ca for more information), solo contemporary repertoire and a recently formed baroque ensemble known as I Fiori dell’amore. His musical interests include early Russian liturgical polyphony, Balkan brass music, Karlheinz Stockhausen, German romantic songs for female voices, electronic dance music, north Indian classical music and punk rock. He aspires to write music for diverse instrumentations and with diverse approaches to genre.

 

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Emily Lair – French Horn

Originally from Gimli, Manitoba, Emily Lair is a horn player based in Montreal, Quebec, studying at the Schulich School of Music of McGill University in the studio of John Zirbel. In addition to her studies in orchestral performance, Emily is an avid chamber musician and soloist who seeks to expand the role of the horn in contemporary and pop music. Emily is a three-time member of the National Youth Orchestra of Canada. She has performed in the Winnipeg Symphony Orchestra’s New Music Festival, the Manitoba Underground Opera Company, and in masterclasses with James Sommerville, Julie Landsman, and Andrew Bain. She is a recipient of the Wirth Brass Scholarship at McGill University, as well as other awards from the Manitoba Arts Council and several organizations in Manitoba. After graduating from McGill University in Spring 2014, she plans to continue her studies at the Colburn School in Los Angeles, California.

 

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Felix Del Tredici – Bass Trombone

A native of Montreal, Felix Del Tredici strives to push the boundaries of the bass trombone through interdisciplinary collaborations, the commissioning of new works, and improvisation. The New York Times has described Del Tredici as an “extraordinarily versatile trombonist” who gives performances that are “disturbing yet fascinating” and “hair-raisingly virtuosic”. He has studied at the Darmstädter Ferienkurse für Neue Musik, and is a member of the Fonema Consort, the New York Trombone Consort, and Ensemble Moto Perpetuo.

 

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Zachary Hale – Electronics

Zachary Hale is a Montreal-based composer and percussionist who creates and performs music that deals with live-electronics and new interfaces. His interest lies in the possibilities when the performer and technician are one in the same, and also bridging the gap between classical musicians and technology. Recent highlight performances with live-electronics include Reflecting Space III by Kenji Sakai (North American premiere), Caprices 5-6 by Luis Naón(North American premiere), and Konakte by Karlheinz Stockhausen. His current projects include the SpectraSurface interface and N[i]Quest with oboist Krisjana Thorsteinson. More information can be found at www.zachhalemusic.com.

 

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Bailey Eng – Dancer

Inspired to challenge the physical capacity of the human body, Bailey is searching to develop a style of body movement influenced by circus and acrobatics – with and through contemporary dance. She is fascinated by objects as an extension of the body; objects, like the body, also as living and breathing structures. Whether it be a circus apparatus, a physical space, or the urban environment, she challenges the function of structures and explores (path)ways of negotiating movement with architecture. The ability to move is not limited to the learned habits of performing a task. Bailey is interested in transforming the spectacular into the accustomed. How can the body and movement be absurd and disorienting, yet habitual, natural, and human? She resists the quotidian, but seeks its essence. She str e e e tches interpretation. She thrives off of the (un)restrictions of gravity. Driven by (un)limited (im)possibilities, there is no upRight or upWrong. Movement is her way of life, Body Language is what she speaks – carried by the ideal of “translation not required”.

 

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Samantha Rust – Dancer

Samantha has been dancing since she was three years old, and has studied many different dance forms such as musical theatre, tap, ballet, jazz, contemporary, and hip hop. She has attended different workshops which include: The Pulse, Broadway Dance Theater, Dance Movement Therapy Association in Canada and many others. She received a D.E.C in Dance at Cégep St-Laurent in 2012 and she is currently teaching her eighth semester of hip-hop to elementary students at Hill Crest Academy. Her work aids in social and motor skill development, benefiting those involved, and a part of the Mentally Handicap community of Montreal. Dance is her outlet, and the best way she feels she can express herself. As an artist, Samantha would like to show how art could be used to join a community, and help develop different skills in children and adolescents. Through movement, art and music, people with disabilities can be motivated and triggered in different ways to help with every day movement and relations. Simple exercises that require them to use speech and physical movement inspired by music and visual art help in their everyday communication facilitating their interactions with others. Creating different approaches to life through Contemporary art allow for people with disabilities a chance to learn life lessons in different ways and live freely amongst others. Samantha strives to encourage open mindedness and creativity in each individual.

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T.R.: VOL. 6: RADIUS

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T.R.: VOL. 6: RADIUS

When : April 29th, 2014

Where: 1515 St. Catherine West EV 7.725

Starts: 6 pm

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Jeff Kolar will discuss his ongoing curatorial project Radius, an experimental radio broadcast platform based in Chicago, IL, USA. Radius features a new project monthly with statements by artists who use radio as a primary element in their work. Radius provides artists with live and experimental formats in radio programming. The goal is to support work that engages the tonal and public spaces of the electromagnetic spectrum.
The lecture will focus on two of Radius’ series: RANGE (2012) and GRIDS (2014).

RANGE

Local, Distant, Fringe is a three-part, location-based series of radio transmissions that explores the phenomenon of signal strength. The series seeks to break, bend, and highlight the economic, political, and technical dimensions of the electromagnetic spectrum. RANGE seeks to challenge these issues of signal accessibility, and question radio’s role as a distribution tool. Commissioned artists include Emilie Mouchous & Andrea-Jane Cornell, Damon Loren Baker, and Rob Ray.

GRIDS

Grids consists of four mobile commissioned radio broadcasts at four different Chicago geographical locations throughout the 2014 calendar year. The transmissions occur at either working or now defunct electrical production or distribution centers. GRIDS is interested in how energy is propagated, what the distance of that propagation is, and what it means to be a node in the networked grid. Commissioned artists include Radio Aktiv, Ethan Rose, Kristen Roos, and Amanda Gutiérrez.

 

JEFF KOLAR

Jeff Kolar is a sound artist and curator working in Chicago, USA. His work, described as “speaker-shredding” (Half Letter Press) and “wonderfully strange” (John Corbett), includes cross-platform collaboration, low-powered radio, and live performance. His work often activates sound in unconventional, temporary, and ephemeral ways using appropriation and remix as a critical practice. Jeff is a free103point9 Transmission Artist, and also the director ofRadius, an experimental radio broadcast platform.
His work has been released on Panospria (CA), HAK Lo-Fi Record (FR), free103point9 (US), and has appeared in compilations by Furthernoise.org (AU), iFAR (UK), and Sonic Circuits (US). His video work was published in the DVD journal ASPECT: The Chronicle of New Media Art. He presents work at festivals, radio programs, exhibitions, and performance venues which recently include the New Museum, CTM Festival for Adventurous Music, KUNSTRADIO, and The Kitchen.

T.R: VOL. 5: MOTHER OF BALLOON MUSIC

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T.R: VOL. 5: MOTHER OF BALLOON MUSIC

When : April 25th, 2014
Where: 1515 St. Catherine West EV 7.725
Starts: 6 pm

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Latex balloons have been Judy Dunawayʼs primary musical instrument and her primary compositional focus for over twenty years. At Topological Media Lab, she will give a lecture/demonstration about the amazing ways that balloons function as sound makers, as well as providing some history of the balloon in experimental music. This will be followed by an audience performance of her “Balloon Symphony No. 2.” (All balloons and materials will be provided for free.)

Judy Dunaway

Judy Dunaway has centered much of her creative practice around the latex balloon as a musical instrument. She has created numerous compositions for balloons as well as making this her primary instrument for improvisation. She has toured performing on her balloon instruments throughout the U.S. and Europe at many important venues, festivals, museums and galleries including the Academy of Media Arts Cologne (Germany), Alternative Museum (NYC), Bang on a Can Festival (NYC), Everson Art Museum (Syracuse), Frau Musica Nova Festival (Germany), the Guelph Jazz Festival (Canada), Lincoln Center Out-of-Doors (NYC), the New Museum of Contemporary Art (NYC), Performance Space 122 (NYC), Podewil (Berlin), Roulette (NYC), the CEAIT Festival (Los Angeles), Seltsame Musik Festival (Austria), the SoHo Arts Festival (NYC) and STEIM (Netherlands). Her discography includes CDs on the CRI and Innova labels. Her awards/grants/residencies include the New York State Music Fund, the Aaron Copland Fund Recording Grant, the American Composers Forum’s Composers Commissioning Fund, Zentrum fuer Kunst und Medientechnologie (ZKM), Harvestworks, the National Endowment for the Arts performance fund and several Meet the Composer composer-participation grants. She has a Ph.D. in music composition from Stony Brook University, and an M.A. with emphasis in experimental music composition from Wesleyan University (where she studied with Alvin Lucier). She has been a Visiting Lecturer at Massachusetts College of Art and Design since 2005.

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